By challenging conventional notions of art consumption, the exhibition creates a platform for collective exploration, bringing together diverse artistic voices to inspire cultural and ecological shifts.
The curatorial approach breaks away from assigning individual walls to artists, opting for a shared presentation format. This intentional choice generates a rich interplay between works, connecting themes and inviting visitors to discover new meanings. The artworks collectively interrogate material hierarchies, societal norms, and environmental concerns, offering a fresh lens on the relationship between art, culture, and sustainability.
The videowork Æon by Ganaël Dumreicher, Eliska Jahelkova, and Marlena Jonane embodies the exhibition’s commitment to questioning permanence and transformation. Their video installation explores the fluid boundaries between physical and digital realities, inviting reflections on the cyclical nature of existence. This exploration resonates across the exhibition, where materials and processes often blur lines between the ephemeral and enduring.
Artists such as Kater D. and Nikola Milojcevic amplify this dialogue by transforming discarded and undervalued materials into thought-provoking works. Kater D.’s innovative use of everyday items like makeup wipes critiques disposability while inviting a reassessment of societal values. Similarly, Milojcevic recontextualizes industrial scrap and disposable items, preserving moments of consumption to challenge throwaway culture. These practices highlight the importance of resourcefulness in fostering a sustainable art ecosystem.
The exhibition also explores the intersections of nature and humanity, with artists like Hannah Franke and Ines Kaufmann emphasizing themes of ecological fragility and connection. Franke’s delicate depictions of endangered species and underwater worlds encourage viewers to reflect on conservation and the fragility of life, while Kaufmann’s evocative compositions explore the human relationship with nature, blending figurative and abstract elements to create a sense of shared experience.
This collective ethos is further echoed in the practices of George Kubla and Antonia Stan, who employ unconventional materials to rethink artistic value. Kubla’s handcrafted 3D pen works transform plastic into playful, tactile forms, reimagining it as a medium of care and craftsmanship. Stan’s bold integration of cow dung paper into her vibrant compositions exemplifies the innovative use of sustainable materials, fostering a deeper appreciation for the interconnectedness of art and the environment.
Artists like Gert Resinger and Eva Silberknoll bring social critique to the forefront, addressing societal norms and ecological issues with humor and provocation. Resinger’s use of repurposed materials, such as old baked goods, injects a playful irony into his examination of over-aestheticized beauty, questioning ideals of perfection. Silberknoll merges photography and textiles with powerful messages challenging consumption habits and advocating for inclusivity in both material and message.
The artists in WAVES OF CREATION embody the exhibition’s vision of sustainability and inclusivity, weaving a rich tapestry of perspectives that dissolve boundaries between individual and collective, nature and art, tradition and innovation. Through its partnership with CHEAPARTWEEK Athens, the exhibition sparks curiosity and dialogue, bridging cultural divides while promoting a responsible approach to art consumption. By making art accessible and encouraging community engagement, WAVES OF CREATION aspires to inspire lasting connections and foster meaningful change within the art world and beyond.
WAVES OF CREATION
CURATED BY JULIA HARRAUER
In Cooperation with Thomas Baboujian / Base AT4
Opening: Friday, December 13, 2024, 16:00 – 22:00
Duration: December 13 – 23, 2024 Daily 16:00 – 21:00, Sat./ Sun., 14:00 – 21:00
Address: 66 Zoodochou Pigis st., Exarheia, Athens, 10681
CHEAPART WEEK – www.cheapart.gr
CHEAPART WEEK is a non-profit, cultural organization aimed to present contemporary art to the wider public. CHEAPART marks a long course of research connected to experimental, creative practice, and the development of national and international networks of art communities and audiences.
