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Venedig - Kunst

In jüngster Zeit mehren sich die Ausstellungen, die die Verflechtungen zwischen Botanik, Kolonialismus und Körperpolitiken aufzeigen – hierunter zuletzt Orchidelirium.

Venedig - Kunst

The Uzbekistan Pavilion at this year’s Venice Biennale is an exhibition that immerses you in the deconstructed backstage of a theater, thoughtfully designed by Aziza Kadyri.

Venedig - Kunst

Several hands are kneading it; it seems like a Sisyphean work. Three women are using their bodies against it, folding and rolling in a constant back-and-forth movement.

Venedig - Kunst

Tracce: Nel Corpo e sulla Terra“ brings together the works of four of Panama’s leading contemporary artists: Brooke Alfaro, Isabel De Obaldía, Giana De Dier, and Cisco Merel.

Venedig - Kunst

Unter dem Titel Thresholds erzählt der Beitrag für den Deutschen Pavillon zur Kunstbiennale in Venedig 2024 Geschichte und Zukunft aus der Perspektive verschiedener künstlerischer Positionen.

Venedig - Kunst

Alessandro Miotti, born in Marostica, currently lives and works in Venice and is a member of the studio „zolforosso.“ He graduated in 2023 from the Venice Academy of Fine Arts in Visual Arts Level II.

Venedig - Kunst

They post content every day, basically a bulimic creation. The problem is that if I don’t see anything new for more than 48 hours, I go myself to see if they’ve posted anything, in case I missed it.

Venedig - Kunst

When I got the opportunity to conduct this interview, I realized that i wanted to talk to the artist not only about the Biennale, but also about earlier, smallscale works such as Father (2009), Dancefloor (2009), or those Polaroid outcomes that show only the belly part of each of the women who have caused, generated (as Tosatti says) something meaningful on him (Senza Titolo (matrice), 2010-2011). The interview was conducted in June 2022.

Venedig - Kunst

Like animals in a cage, we become witnesses of change in our adjacent realities. Boarders are dissolving, time zones disappearing. Our self-projected images are available 24/7 while our egos deform.

Venedig - Kunst

It was William Burroughs who, in the early 1960s, in his eponymously named cut-up novel, described the human body as a ‘soft machine’, constantly besieged ‘by a vast, hungry host of parasites’.