GMUNDEN.PHOTO 2025 runs until Aug 10 in Austria with a VALIE EXPORT solo show. Curator Lisa Ortner-Kreil reflects on EXPORT’s relevance and the poetic, political power of her work.
Walter Storms shaped one of Germany’s top galleries with passion and focus. Here, he reflects on his path and on Günther Uecker ahead of the artist’s upcoming exhibition.
Vom 15. Juli bis 9. August zeigt die Galerie im Gwölb (Marktplatz 15, 4170 Haslach) die Ausstellung „Stadtgewebe“ von Delphine Léger im Rahmen des Sommersymposiums Textile Kultur Haslach.
SCHAU transforms vacant shop windows in Haag into venues for contemporary art. Passersby discover the works by chance or engage more deeply with them during guided tours.
What hides behind GLIMPSES? Artist-curator Guadalupe Aldrete and essayist Frida Robles Ponce discuss memory, social work, and art’s role in imagining a better future.
On the Pentecost weekend (Pfingstwochenende), the posthumous second performance of Days 4 to 6 of the “6-Day-Play” by Hermann Nitsch took place at Schloss Prinzendorf.
Das Festival HochSommer macht den Südosten Österreichs vom 1.–10. August 2025 zur Bühne für Kunst. Angelika Loderer zeigt ihre Installation „Atlas to Time“ in Feldbach.
Dariya Kanti is a multidisciplinary artist from Uzbekistan exploring gender, ecology, and identity, with a focus on Central Asian and Roma women’s lived experiences.
Die Skulpturen der Berliner Künstlerin Anke Eilergerhard faszinieren weltweit und sprechen neben dem Auge auch unsere Sinne für Tasten, Schmecken und Riechen hypnotisch an.
Her practice spans diverse media, each piece bearing her unique voice. In an exclusive talk with French artist Julie Béna, she explores eclecticism through fiction, process, and double meaning.
In a time of climate crisis and social strain, artist Marcos Lutyens leads a quiet revolution within the mind, exploring consciousness through hypnosis, installations, and performances for 20+ years.
Multidisciplinary artist Maayan Elyakim explores how built environments evoke emotion and spirit. In this interview, he discusses his Game of Goose exhibit at Neutra VDL House.
In ARBEIT AM FLEISCH at WAM, Thomas Feuerstein fuses biology, philosophy & tech into material-based art. Curated by Julia Moebus-Puck, the show explores flesh, form & fiction.
This year’s Final Works exhibition at the Academy of Fine Arts Vienna runs as a parcours across multiple locations, showcasing diverse fields and unique artistic expressions.
GLIMPSES unites artists exploring identity across generations—through performance, sculpture, sound, and installation—linking ancestry’s somatic, poetic, and political layers.
At Komplot, Brussels, Perri MacKenzie and Michaela Schweighofer discuss painting, meaning, connection, legibility, and lessons from the classical world in MacKenzie’s new show.
With Paul Breitenfelder of the Nitsch Foundation, we discussed preserving Hermann Nitsch’s vision and what to expect at the 6-Day Play this summer at Schloss Prinzendorf.
50 Jahre feiert das Institut für Kulturmanagement und Gender Studies (IKM). Wohin sich das Kulturmanagement künftig entwickeln wird, erzählt Günther Oberhollenzer.
Under Pressure – words that reflect both collective mood and personal strain: social, ecological, psychological, economic, and performance-related pressures shape our lives today.
Das Museum Liaunig ist ein Ort der Begegnung und des Dialogs in Südkärnten, der von April bis Oktober Besucher aus aller Welt anzieht. 2025 startet es mit vier neuen Ausstellungen.
Lily Bunney is a London-based artist exploring human experience in the digital age with pointillist drawings that feel hyper-digital on screen yet intimate and tactile in person.
Claire L. Evans and Sean Bidder are this year’s keynote speakers at Creative Days Vienna 2025 — a festival conceived to spark daring dialogues at the crossroads of technology, culture, and society.
Barbis Ruder entfaltet in ihrer Performance-Serie lautlose Kompositionen, in denen Klang in der Stille spürbar wird. Im Zentrum steht die Frage: Wie lässt sich Ton und Nicht-Ton wahrnehmen?
A conversation with Vienna artist Katharina Höglinger on risk-taking, language apps, teaching art, and focus—marking her book „If You Don’t Believe in Yourself, Someone Else Should“.
Maya Golyshkina creates a surreal world where norms collapse. In the 2020 lockdown, her room became a stage for fantastical, dissonant photographic self-portraits.
The artist Laura Malacart and I click immediately. We connect over our shared interest in language as well as both being directors of small project spaces. Laura’s Space has the size of, well, a balcony.
Schloss Prinzendorf, about an hour from Vienna, will host the final act of Hermann Nitsch’s 6-Day Play, June 7–9, 2025—realizing his wish to keep it the O.M. Theater’s core venue.
On Memory and Political Activism: Iraq-born, Vienna-based artist Rawan Almukhtar on winning the 2024 Kunsthalle Wien Prize for his diploma work at the Academy of Fine Arts Vienna.
Ljubljana Art Weekend returns for its fourth edition from May 23 to 25, 2025. For the second year in a row the team behind ETC. Magazine will take over the artistic direction of the programme.