The series “Work in Progress” takes place in five sequences from April to August. Five artists take turns creating site-specific murals on the white walls of the Kunsthalle Düsseldorf.
Photography and performance go hand in hand in the exhibition „Still Performing“ at FOTOHOF, Salzburg. Featuring works by Florian Aschka & Larissa Kopp, Andy Kassier, and Milena Wojhan.
Die Arbeiten von Andreas Werner bewegen sich zwischen Erinnerung, Fiktion und Zukunft. Architektur, Maschinen und Symbole wirken wie Fragmente unklarer Zeiten.
„Still Making Art“ iterations, founded as a duo project and since 2018 the curatorial platform of Aaron McLaughlin, presented its 8th edition at THE HALL, PART International Art Residency Austria.
Mit SCHAUFÜNF zeigt der Verein ent derzeit eine Ausstellung, die sich unter dem Titel Territorien mit geografischen, sozialen und politischen Räumen auseinandersetzt.
The Lentos Art Museum in Linz presents more than fifty artistic positions from its collection in an exhibition curated by Sarah Jonas, which is on view until 16 August 2026.
Der Raum befand sich in einem merkwürdig doppeldeutigen Zustand. Die Spuren einer vergangenen Ausstellung waren am Schwinden und die Ansätze einer kommenden Schau bereits sichtbar.
It has been calling from afar, since a few years ago, when I decided to enroll in the Business of Fashion course at Polimoda in Florence, at that precise moment under the direction of Linda Loppa.
For the very first time, Alfred Ehrhardt’s film work is the focus of an exhibition. The photographer, documentary filmmaker, and Bauhaus-trained artist created more than sixty films.
Comics have long since established themselves as an independent artistic language—far beyond entertainment. In its summer exhibition, Galerie Gugging shows its link to Art Brut.
In a world at a tipping point, where the desire for the destructive and ruinous is once again being celebrated quite openly, reality seems to be increasingly perceived through the filter of one’s own emotions.
From 23 May to 20 September 2026, the Royal Museum of Fine Arts Antwerp (KMSKA) will present the exhibition Geestgrond by the internationally renowned British artist Antony Gormley.
Galerie Filser & Gräf, in collaboration with Mara Projects, presents Forensic Logic, bringing together works by Blerta Hashani, Nona Inescu, and Tabata von der Locht.
Three decades after his death, Absalon’s video works resonate with a force that never stops surprising. In a parallel exhibition by Amir Yatziv, an AI-based character interacts with visitors.
The artist’s fascination with kissaten, a unique Japanese coffeehouse culture inspired by traditional Viennese and Parisian cafés, dates back to her time as an exchange student at Tokyo Geidai.
Sophie-Luise Passow is a visual artist specialising in large-scale abstract paintings that blur the boundaries between multiple disciplines, including drawing, printmaking, textiles, and installation.
The duo exhibition “For Ever and Forever When I Move” with Düsseldorf-based artists Enya Burger and Teresa Linhard, curated by Jessica Aydin, is on view until 28 June 2026.
Josefine Schulz places her protagonists in bathroom settings or at their dressing tables. They are surrounded by mirrors that, for the most part, do not offer accurate reflections.
Drawing on the spheres between public and private space, Reiter turns her attention to questions of belonging, access, and control: Who can move freely, and what separates public from private?
„Document H.E.T.: Alternative Publishing and Community Undercurrents“ transforms the gallery at the artist-led organisation The NewBridge Project in Newcastle into a reading room.
Color or form? A question that arises in visual artistic creation. Usually, there are good reasons to favor one over the other. In Myriam Mayer’s work, they are held in balance.
Jojo Gronostay turns Kunstraum Weikendorf, a former fire station, into a retail environment that refuses to settle: exhibition, showroom, or perpetually deferred point of sale.
Rechnitzer Gallery’s next exhibition brings together works by three young artists in dialogue: Eszter KÁLÓCZY returns, while Júlia CSAPÓ and Emma KLING show for the first time.
Was in Österreich an Kunst gesammelt wird, bleibt oft im Verborgenen. Ab Mai wird sich dies ändern: 14 Sammler:innen treten mit ihren Sammlungen gemeinsam an die Öffentlichkeit.
As bell hooks recalls of her grandmother Baba, we do not only shape our environment, it shapes us in return: who we become, what we desire, and where we imagine ourselves going.
Odermatt’s new project emerges from her concerns about what she describes as „a disenchanted world, increasingly dominated by technology, algorithms, and hyper-capitalism.“
The sculptures convey an undeniable sense of solidity and history, yet, through playful gestures and material rearticulations, they become responsive and fully alive.
“Hermann Nitsch. Von Sonnenaufgang an“. Curated by Julia Moebus-Puck, the exhibition is focused on Nitsch’s connections to the sacred and Christian liturgy through the lens of his practice.
Mahsa Aleph presents a continuation of her two long term projects. Her practice is characterized by intense engagement with fragments, debris, and memory, as well as themes of resilience.