Drawing on the spheres between public and private space, Reiter turns her attention to questions of belonging, access, and control: Who can move freely, and what separates public from private?
„Document H.E.T.: Alternative Publishing and Community Undercurrents“ transforms the gallery at the artist-led organisation The NewBridge Project in Newcastle into a reading room.
Color or form? A question that arises in visual artistic creation. Usually, there are good reasons to favor one over the other. In Myriam Mayer’s work, they are held in balance.
Jojo Gronostay turns Kunstraum Weikendorf, a former fire station, into a retail environment that refuses to settle: exhibition, showroom, or perpetually deferred point of sale.
Rechnitzer Gallery’s next exhibition brings together works by three young artists in dialogue: Eszter KÁLÓCZY returns, while Júlia CSAPÓ and Emma KLING show for the first time.
Was in Österreich an Kunst gesammelt wird, bleibt oft im Verborgenen. Ab Mai wird sich dies ändern: 14 Sammler:innen treten mit ihren Sammlungen gemeinsam an die Öffentlichkeit.
As bell hooks recalls of her grandmother Baba, we do not only shape our environment, it shapes us in return: who we become, what we desire, and where we imagine ourselves going.
Odermatt’s new project emerges from her concerns about what she describes as „a disenchanted world, increasingly dominated by technology, algorithms, and hyper-capitalism.“
The sculptures convey an undeniable sense of solidity and history, yet, through playful gestures and material rearticulations, they become responsive and fully alive.
“Hermann Nitsch. Von Sonnenaufgang an“. Curated by Julia Moebus-Puck, the exhibition is focused on Nitsch’s connections to the sacred and Christian liturgy through the lens of his practice.
Mahsa Aleph presents a continuation of her two long term projects. Her practice is characterized by intense engagement with fragments, debris, and memory, as well as themes of resilience.
The exhibition „still (a little life),“ curated by Barbara Horvath, with works by Judith Eisler, Neven Allgeier, and Pakui Hardware, is on view until the 11th of April. 2026 in The Hall.
Exhibition “Robotron. Working Class and Intelligentsia” is on view in Hartware MedienKunstVerein until 26. July 2026. Exhibition is prepared in collaboration with the GfZK Leipzig.
Will-o’-the-wisp refers to a soft, flickering light appearing in swamps or wetlands, historically interpreted as an illusion, omen, or wonder. Something not graspable, a brief moment, a light in the dark.
Landscapes, animals, and people, all painted through a blue filter — the exhibition „am weg“ by Marko Djurdjevic draws from autobiography and is on view at galerie gugging until 22 May 2026.
‘Geometrische Gefühle’ by Sabine Aichhorn at Hollerei Galerie is on view until 29 March. The series of her newest works in various formats presents the artist’s emotional states through forms.
Die künstlerische Praxis von Nicolas Cilins zeichnet sich durch ihren kollaborativen Charakter aus, bei der Menschen und Gemeinschaften aktiv in den kreativen Prozess miteinbezogen werden.
Future Horizons also encapsulates the vision of the Alexander Tutsek-Stiftung, reflecting its generous commitment over the past 25 years to contemporary sculpture and installations using glass.
Yumna Al-Arashi employs a polyvalent artistic practice across photography, and sculpture to challenge colonial, patriarchal, and Orientalist ways of seeing the female body.
The exhibition “Mutation Methods” will open on 13 March at EBORAN Gallery, bringing together two positions that explore transformation and process through material and digital systems.
His solo exhibition “Ancient Creature” is on view at Prom Culture Saska Kęmpa until March 15. The conversation with Dima focuses on balancing commercial projects and personal artistic exploration.
His solo exhibition ‚Diffractions‘ is on view at Ggezwanzig gallery in Vienna until March 27; we spoke with Parsa Khalili about his balance between architecture practice and painting.
UNTITLEД is a duo exhibition with works by Sveta Mordovskaya and Tereza Glazova. The show takes place at Autokomanda, a contemporary art space located in Belgrade.
In conversation with Markus Proschek, our discussion reflects on questions of the post-Anthropocene, Enlightenment thought, and new ways of understanding the world beyond a human focus.
It has been an intense Paris Fashion Week for Scotty Ramon: Yves Saint Laurent, a hit track with Sébastien Tellier, his forty-second birthday and, last but not least, his debut exhibition.
Who is the artist, what does the gallery stand for, what is the right context, what should I not miss. We rely on established values of what is “good” or “important” to justify our time.
Protest, fashion history, training equipment, resistance, the search for identity, and the cultural circulation of images. Chalisée Naamani’s ‘Octogone‘ is currently on view at Kunsthalle Wien.
„Mobile Energy“, curated by Hana Ostan-Ožbolt-Haas, brings together a younger generation of artists with historical artistic positions through a shared commitment to perpetual change.
We asked curator Reilly Davidson a few questions about the exhibition “Swallow the Moon,” which she curated, and about her view on writing as a possible step in curatorial practice.