Acht Künstler:innen der Bildhauer-Meisterklasse der HTL Hallein zeigen im kunstraum pro arte Meisterstücke und Werke – ein einzigartiger Einblick in Bildhauerei und Materialvielfalt.
At James Lewis’s Living Stone, yellow light fills the space, evoking unease. Wooden cabinets form a narrow passage with an unreachable flickering video, embodying dissonance and rupture.
„As the story unfolds“ ist eine englische Redensart, die beschreibt, wie sich historische Ereignisse nach einer inneren Logik entwickeln. Sie deutet darauf hin, dass die Geschichte nach und nach sichtbar wird.
In der Galerie Fritz in Dornbirn präsentiert der Künstler Gerd Menia seine Skulptur „Iceberg“. Bei der Skulptur bildet das Unbewusste den inneren Schwerpunkt.
What is it like to be a young artist and curator in Italy? I found out first hand, co-curating the exhibition Fuori da Dentro by Giulia Nelli and Filippo Moroni at ARTRA Galleria, with Mengyin Wang.
Kristína Mésároš’s extensive exhibition entitled Origin (Počiatok) features paintings of environments, landscapes, and situations connected to her own experience of everyday events.
„The ice on the mattresses is free,“ teases the curator, gesturing toward Calzolari’s artwork behind me, „but it’s a cliché that needs unpacking.“ No frills: the exhibition Arte Povera is dedicated.
There are fish that swim in cold or temperate waters, freshwater fish, and others that glide along the dark ocean floor. The same is true of people. Sometimes we say we feel like a fish out of water.
Since 2009, the Esterhazy Art Award, established by the Esterhazy Private Foundation through Dr. Stefan Ottrubay, has been given yearly to emerging Hungarian artists to celebrate contemporary art.
Giddy Flames seeks to be a spatial fantasy. In the absence of daylight, it unfolds an imagined collection of stories that seep out of infrastructure, storage spaces, and hijacked light systems.
Niko Abramidis &NE shares insights into his studio rituals, the role of mythology and metamodernity in his work, and the process behind his upcoming solo exhibition at max goelitz in Berlin.
Grounded in a narrative drawn from a fictional story that explores identity and the system of signs and symbols through art and fashion theory, the works of three artists and one archival position engage.
Muratcentoventidue Artecontemporanea is pleased to present “The Concurrent Presence Part III XII”, a solo exhibition featuring works by the Austrian artist Sira-Zoé Schmid.
I met the artist Christian Hutzinger and the gallerist Florian Erhart, founder of Galerie Gezwanzig at Gumpendorfer Str. 20, where Hutzinger’s solo show, Signal 2, is taking place.
The exhibition introduce the work of Kim Youngjin, Jin Kim, Park Chunhwa, and Kaja Clara Joo, who were selected through the highest competition in the history of the artist residency.
Exploring the complexities of language, space, and expectations of storytelling, Marcon reflects on how he transforms traditional film screenings into alluring, site-specific installations.
The solo exhibition „present pendulum“ by Niko Abramidis &NE explores a mythology of the present marked by pragmatic analysis, comic-like exaggeration, and a hopeful aesthetic.
Reimagining art exhibitions, exploring fresh curatorial methods, and moving beyond the transient nature of contemporary showcases. Performative Exhibition, led by Tirana Art Lab unites artists.
„This Causes Consciousness to Fracture – A Puppet Play“ im Haus am Waldsee, Berlin, beleuchtet den jugendlichen Körper als gesellschaftspolitisches Schlachtfeld von Normativitätsideen.
Hevea Act 6: An Elastic Continuum ist Teil des andauernden künstlerischen Forschungsprojekts An Elastic Continuum: Rubber, Gender and Power der Künstlerin Bethan Hughes.
Annja Krautgasser thematisiert in sechs Filmen einen Szenenzyklus sowie unterschiedliche Konzepte kollektiver Ängste, systemischer Abhängigkeiten und individuellen Widerstands.
TAKT weaves the concepts of time and rhythm. Drawing on Deleuze’s thoughts on rhythm as a milieu’s response to chaos, „Takt“ in this context reflects the body’s circadian rhythms.
Diaristische Notizen der Kuratorin über subjektive Wünsche und Sehnsüchte nach Objekten und deren Narrativen sind die Grundlage für die Gruppenausstellung „SARTORIAL SENSES“.
Die Ausstellung thematisiert die inhärent vorhandene Verwundbarkeit in unserer Gesellschaft und beleuchtet diese anhand zweier miteinander verbundener, verknüpfter Aspekte.
Die Bildrecht, Österreichs Verwertungsgesellschaft für Bildschaffende, lädt im Rahmen der Vienna Design Week zur Ausstellung object-related des Designstudios ante up ein.
If the idea of subverting the towering concrete building conceived by Peter Zumthor is the goal in the latest stunt by performance and installation artist Anne Imhof.
In „Europe’s Feet: In Mythos et Lascivia“ Tin Trohar uses acrylics and glitter on burlap to reimagine and reinterpret some of the most erotic and controversial myths from ancient mythology.
The exhibition (Johannes Kiel & Tatjana Vall and Justin Urbach) NO MIND NO MATTER pries open the cracks by making this very dazzling dialectic between visibility and invisibility material.
Kunst im öffentlichen Raum Tirol sucht 2025 nach Projekten, die im Moment der Störung ihr Potenzial entfalten und so neue Räume öffnen. Störfaktoren, die Problemstellen sichtbar machen.