A slip of the tongue became the poetic title of an exhibition where Gray Wielebinski, Kollektiv Collective, and Verena Traeger reflect on collage as a bridge between past and present.
Inmitten globaler Krisen erhebt Elisabeth Gschiel kraftvoll ihre künstlerische Stimme – leise, subversiv und offenbart das Unsichtbare hinter Angst, Spaltung und Autoritarismus.
Casting Currents explores porous boundaries of nature, culture & materiality, staging materials as active agents in a fragmented world shaped by planetary collapse.
Ephemeral, inflatable, technicolor – Gabriella Siciliano (*1990) uses materials that appear light, almost playful. And yet she uses them to address serious, urgent topics.
Diana and Fatmir Miziri stand among the most influential couples in Albanian art scene. The exhibition “REVIVAL” marks a rare occasion to view their works in dialogue.
The group exhibition „Embodied Rituals“ at Galerie Kandlhofer explores ritual as a transformative, bodily, and aesthetic force, featuring works by D. Huanca, H. Judge H. Nitsch.
Bianca Phos explores bodies, materials, and tech in a post-humanist context. At Bildraum 07, her works emerge as socio-material assemblages and speculative archaeologies.
Kristian Kožul, born in Germany, is an artist living a fulfilled life in Zagreb. He’s a good son, aspiring husband, loving father, and passionate about art, sci-fi, and magical realism.
Huang Mins Werk umfasst Malerei, Zeichnung, Porzellan, Fotografie und Skulptur – vielgestaltig, nicht einzuordnen und doch mit klarer, unverwechselbarer Bildsprache.
Vienna-based visual artist Barbara Höller, whose practice spans painting, drawing, and conceptual installation, presents her newest work in the solo exhibition at gezwanzig gallery titled “OR.”
„Office Monster“ explores a haunted bureaucracy shaped by invisible rules and eerie systems, where each work reveals a shifting office world and its lurking administrative force.
The exhibition by Community Queerinthia marks 10 years of Klagenfurt Pride, tracing LGBTQI+ stories of resistance and visibility in Carinthia and the Alpine-Adriatic region.
„KNEAD“ is a duo show by Laura White & Liza Dieckwisch with a text by Julia Draganović, presented at Fondazione Pastificio Cerere in collaboration with Villa Massimo.
Die Galerie EBORAN präsentiert zur diesjährigen Festspielzeit eine außergewöhnliche Premiere: Mit der Ausstellung „ÜBERZUCKERT“ ist Anke Eilergerhard erstmals in Salzburg zu sehen.
This interview explores Oculus, an exhibition by Stephanie Misa and Joscha Steffens at Heidelberger Kunstverein, part of the Philippines’ Guest of Honour program at Frankfurter Buchmesse 2025.
Austrian-Hungarian artist Ramsko on “Symbolfelder” at HALLE13 (through June 14, 2025): a kitschy mix of pastel and Gothic exploring identity, memory, and empathy in new ways.
Manfred Grübl untersucht in seiner Ausstellung im Bildraum 01 wie sich wirtschaftliche Strukturen und Machtverhältnisse auf die Freiheit von Individuum und Gesellschaft auswirken.
How do we reconstruct lost tales, and what emerges from fragmented memories? Julia Woronowicz explores forgotten mythologies, ethnofictional narratives, and alternative histories.
There’s something hypnotic about the deep velvet black that greets you at Roméo Mivekannin’s first solo exhibition in Italy, hosted by Collezione Maramotti. A black that seems to speak.
Opera Gallery New York is pleased to present Sailing Through the Light, an exhibition featuring 26 works by Paris-based artist Feng Xiao-Min, created between 2009 and 2025.
Through personal anecdotes, historical reflections, and curatorial insights, curators Kilian Hanappi, Paul Buschnegg, and Selin Göksu discuss the exhibition „Zwidemu: Between Party and Process.“
Viennese Realism emerged in the early 1950s as a response to the political and social climate in post-war Austria. In this interview, curator Berthold Ecker discusses the movement’s origins.
Artist Miriam Bajtala explores classism and chronological developments, linking personal history with collective memory since 2020. She poetically addresses inequality, power, and self-empowerment.
Florian Appelt inszeniert im Bildraum 07 ein Vexierspiel zwischen Natur, Artefakt und Zukunft: Ein Granitobelisk trifft auf anatomische Gebilde, frisch geboren oder präzise arrangiert.
Disco – der Titel der Ausstellung ruft Neonfarben und hartes Licht hervor. Tatsächlich fühlt sich die Ausstellung von Vivian Suter im MAAT in Lissabon jedoch an, wie ein Spaziergang im Wald.
Im Bildraum 01 sucht Alexandra Baumgartner nach dem Verborgenen, das zwischen Verhüllung und Offenbarung schwankt, wobei der Mensch von skulpturalen Abbildern abgelöst wird.
The exhibition „Tipping Point Phantoms“ by the two artists Vik Bayer and Kaja Clara Joo, constructs a narrative pairing about capital and our use of resources on the brink of ecological tipping points.
The exhibition KEEP IT FAKE! offers a preliminary answer, and the following exhibitions of the cycle will surely explore other curiosities of this interdisciplinary dialogue.
Entering Fernweh – /ˈfɛɾnˌveː/ – Atto II by Friedrich Andreoni and Roberto Casti at Casa degli Artisti, Milan, feels like a soft perceptual shock, revealing structured spatial lines.