Comics have long since established themselves as an independent artistic language—far beyond entertainment. In its summer exhibition, Galerie Gugging shows its link to Art Brut.
In a world at a tipping point, where the desire for the destructive and ruinous is once again being celebrated quite openly, reality seems to be increasingly perceived through the filter of one’s own emotions.
From 23 May to 20 September 2026, the Royal Museum of Fine Arts Antwerp (KMSKA) will present the exhibition Geestgrond by the internationally renowned British artist Antony Gormley.
Galerie Filser & Gräf, in collaboration with Mara Projects, presents Forensic Logic, bringing together works by Blerta Hashani, Nona Inescu, and Tabata von der Locht.
Three decades after his death, Absalon’s video works resonate with a force that never stops surprising. In a parallel exhibition by Amir Yatziv, an AI-based character interacts with visitors.
The artist’s fascination with kissaten, a unique Japanese coffeehouse culture inspired by traditional Viennese and Parisian cafés, dates back to her time as an exchange student at Tokyo Geidai.
Sophie-Luise Passow is a visual artist specialising in large-scale abstract paintings that blur the boundaries between multiple disciplines, including drawing, printmaking, textiles, and installation.
The duo exhibition “For Ever and Forever When I Move” with Düsseldorf-based artists Enya Burger and Teresa Linhard, curated by Jessica Aydin, is on view until 28 June 2026.
Josefine Schulz places her protagonists in bathroom settings or at their dressing tables. They are surrounded by mirrors that, for the most part, do not offer accurate reflections.
Drawing on the spheres between public and private space, Reiter turns her attention to questions of belonging, access, and control: Who can move freely, and what separates public from private?
„Document H.E.T.: Alternative Publishing and Community Undercurrents“ transforms the gallery at the artist-led organisation The NewBridge Project in Newcastle into a reading room.
Color or form? A question that arises in visual artistic creation. Usually, there are good reasons to favor one over the other. In Myriam Mayer’s work, they are held in balance.
Jojo Gronostay turns Kunstraum Weikendorf, a former fire station, into a retail environment that refuses to settle: exhibition, showroom, or perpetually deferred point of sale.
Rechnitzer Gallery’s next exhibition brings together works by three young artists in dialogue: Eszter KÁLÓCZY returns, while Júlia CSAPÓ and Emma KLING show for the first time.
Was in Österreich an Kunst gesammelt wird, bleibt oft im Verborgenen. Ab Mai wird sich dies ändern: 14 Sammler:innen treten mit ihren Sammlungen gemeinsam an die Öffentlichkeit.
As bell hooks recalls of her grandmother Baba, we do not only shape our environment, it shapes us in return: who we become, what we desire, and where we imagine ourselves going.
Odermatt’s new project emerges from her concerns about what she describes as „a disenchanted world, increasingly dominated by technology, algorithms, and hyper-capitalism.“
The sculptures convey an undeniable sense of solidity and history, yet, through playful gestures and material rearticulations, they become responsive and fully alive.
“Hermann Nitsch. Von Sonnenaufgang an“. Curated by Julia Moebus-Puck, the exhibition is focused on Nitsch’s connections to the sacred and Christian liturgy through the lens of his practice.
Mahsa Aleph presents a continuation of her two long term projects. Her practice is characterized by intense engagement with fragments, debris, and memory, as well as themes of resilience.
The exhibition „still (a little life),“ curated by Barbara Horvath, with works by Judith Eisler, Neven Allgeier, and Pakui Hardware, is on view until the 11th of April. 2026 in The Hall.
Exhibition “Robotron. Working Class and Intelligentsia” is on view in Hartware MedienKunstVerein until 26. July 2026. Exhibition is prepared in collaboration with the GfZK Leipzig.
Will-o’-the-wisp refers to a soft, flickering light appearing in swamps or wetlands, historically interpreted as an illusion, omen, or wonder. Something not graspable, a brief moment, a light in the dark.
Landscapes, animals, and people, all painted through a blue filter — the exhibition „am weg“ by Marko Djurdjevic draws from autobiography and is on view at galerie gugging until 22 May 2026.
‘Geometrische Gefühle’ by Sabine Aichhorn at Hollerei Galerie is on view until 29 March. The series of her newest works in various formats presents the artist’s emotional states through forms.
Die künstlerische Praxis von Nicolas Cilins zeichnet sich durch ihren kollaborativen Charakter aus, bei der Menschen und Gemeinschaften aktiv in den kreativen Prozess miteinbezogen werden.
Future Horizons also encapsulates the vision of the Alexander Tutsek-Stiftung, reflecting its generous commitment over the past 25 years to contemporary sculpture and installations using glass.
Yumna Al-Arashi employs a polyvalent artistic practice across photography, and sculpture to challenge colonial, patriarchal, and Orientalist ways of seeing the female body.
The exhibition “Mutation Methods” will open on 13 March at EBORAN Gallery, bringing together two positions that explore transformation and process through material and digital systems.