Ty Kawabe is a designer born in Australia and raised in Japan, based in Nagoya. He studies Industrial Innovation and has been regularly creating and publishing posters since late 2024.
Eri Maeda’s work is uncanny, rebellious, and protective. She transforms everyday objects into rebellious ceramic monsters that invite us to question the beliefs and inner ghosts we carry through life.
With the curator of Vienna Digital Cultures Festival, Nadim Samman, on “Alone or Together,” the 2026 edition of VDC. The opening takes place on May 21, 2026, at FOTO ARSENAL WIEN.
Centered in St. Wolfgang, the program opened hotel studios of international artists and offered a public program to engage with their work and the surrounding landscape.
Ljubljana Art Weekend 2026, curated by the artistic team behind ETC. Magazine, unfolds across various locations in Ljubljana from May 21 to 24 under the annual theme “Full Circle.”
Sophie-Luise Passow is a visual artist specialising in large-scale abstract paintings that blur the boundaries between multiple disciplines, including drawing, printmaking, textiles, and installation.
Mariybu veröffentlicht am 14. Mai 2026 ihr neues Album „FRECH“, ein Mix aus Techno-Pop, Hardstyle-Elementen und ein bisschen Orchester. Im Herbst geht’s dann auf Tour.
Power; empathy; drawing’s resistance to detachment; focus on mise-en-scène; and feeling rather than logic. In conversation with New York-based artist Marianna Simnett on identity, fluidity…
Daniel Mullen works primarily between painting and sculpture. Across these forms, his work explores how perception is shaped through relationships between colour, light, structure, and space.
The 2026 edition will host 185 physical and 20 online exhibitors from over 40 countries. Since its launch in 2016, the fair has steadily grown into a platform for publishing and zine culture.
The duo exhibition “For Ever and Forever When I Move” with Düsseldorf-based artists Enya Burger and Teresa Linhard, curated by Jessica Aydin, is on view until 28 June 2026.
While trauma is often sublimated through silence and breath in Gabrielle Goliath’s best-known video and sound works, the body assumes an unprecedented pictorial form in the new series.
Josefine Schulz places her protagonists in bathroom settings or at their dressing tables. They are surrounded by mirrors that, for the most part, do not offer accurate reflections.
Drawing on the spheres between public and private space, Reiter turns her attention to questions of belonging, access, and control: Who can move freely, and what separates public from private?