While strolling through his hometown of Seeboden on Millstätter See, Daniel Lichterwaldt chanced upon a display cabinet that sparked the idea to transform it into a year-round exhibition space.
With over three decades immersed in the art market, Gregor Podnar embarked on his odyssey within the dynamic Slovenian independent scene. What motivated his shift from curator to gallerist?
She gave an inside view of the roots of her young but highly successful brand, which is based in Belgium. She shared with us her idea of the perfect dress. Go and visit her world at MAK Geymüllerschlössel.
Borrowing from the language of traditional media, Gioele Amaro, originally trained in architecture, creates digital paintings that mimic the appearance of distorted reflective surfaces.
Die Geschichte macht die augen zu, aber kann nicht schlafen umfasst eine viertägige Gruppenausstellung mit interdisziplinärem Rahmenprogramm, welches sich kollektiven Gedächtnissen widmet.
Nikolaus Dominik Cyril Merlin Fröhlich, besser bekannt als N.D.C.M., ruft lieber an, anstatt eine SMS zu schreiben. Er wünschte er wäre ein Tiger, sein Spiritanimal ist jedoch ein Pandabär.
Curated by Les Nouveaux Riches, the exhibition brings together for the first time the work of the artist collective Alpine Gothic, Mara Novak, Rebecca Merlic, and Francisco Valença Vaz.
Les Nouveaux Riches presents: At Hauptstraße 84 in Seeboden am Millstätter See, the association curates throughout the year an ongoing display of artworks from national and international artists.
For Ucon Acrobatics, prioritizing sustainability in the production process of their pieces is paramount. We spoke with one of the founders, Jochen Smuda, about this commitment.
“Monte di Pietà” by artist Christoph Büchel is a deep dive into the notion of debt as the root of human society. The layered history of the building is is Büchel’s framework for constructing.
Silvia Rosi’s pictures and moving videos, a mix of neutral Emilia-native paysages, studio reproductions, inspired by family pictures personified by the artist herself, and archive work.
Several hands are kneading it; it seems like a Sisyphean work. Three women are using their bodies against it, folding and rolling in a constant back-and-forth movement.
Caroline Wong is a Malaysian-Chinese artist who grew up in London. A late bloomer, she began her training as an artist at 30, pursuing a diploma in portraiture at the Art Academy, London.
Following his exhibition in LA, he continues his exploration of the prosthetics of power in a new series of works and site-specific installations created for the Lisson Gallery New York space.