Walter Storms shaped one of Germany’s top galleries with passion and focus. Here, he reflects on his path and on Günther Uecker ahead of the artist’s upcoming exhibition.
Vom 15. Juli bis 9. August zeigt die Galerie im Gwölb (Marktplatz 15, 4170 Haslach) die Ausstellung „Stadtgewebe“ von Delphine Léger im Rahmen des Sommersymposiums Textile Kultur Haslach.
A slip of the tongue became the poetic title of an exhibition where Gray Wielebinski, Kollektiv Collective, and Verena Traeger reflect on collage as a bridge between past and present.
Inmitten globaler Krisen erhebt Elisabeth Gschiel kraftvoll ihre künstlerische Stimme – leise, subversiv und offenbart das Unsichtbare hinter Angst, Spaltung und Autoritarismus.
SCHAU transforms vacant shop windows in Haag into venues for contemporary art. Passersby discover the works by chance or engage more deeply with them during guided tours.
What hides behind GLIMPSES? Artist-curator Guadalupe Aldrete and essayist Frida Robles Ponce discuss memory, social work, and art’s role in imagining a better future.
Vom 25.–28. Juni zeigt die Angewandte Abschlussarbeiten & Projekte. Der Oskar-Kokoschka-Platz wird zur Bühne der „Monuments of the Future“. Wir sprachen mit Lena Kohlmayr darüber.
This May marked the 8th edition of Vienna’s Independent Space Index Festival—a chance to reflect on its evolution. We spoke with its founders Francis Ruyter and Bruno Mokross.
Casting Currents explores porous boundaries of nature, culture & materiality, staging materials as active agents in a fragmented world shaped by planetary collapse.
On the Pentecost weekend (Pfingstwochenende), the posthumous second performance of Days 4 to 6 of the “6-Day-Play” by Hermann Nitsch took place at Schloss Prinzendorf.
Das Festival HochSommer macht den Südosten Österreichs vom 1.–10. August 2025 zur Bühne für Kunst. Angelika Loderer zeigt ihre Installation „Atlas to Time“ in Feldbach.
Ephemeral, inflatable, technicolor – Gabriella Siciliano (*1990) uses materials that appear light, almost playful. And yet she uses them to address serious, urgent topics.
Diana and Fatmir Miziri stand among the most influential couples in Albanian art scene. The exhibition “REVIVAL” marks a rare occasion to view their works in dialogue.
Dariya Kanti is a multidisciplinary artist from Uzbekistan exploring gender, ecology, and identity, with a focus on Central Asian and Roma women’s lived experiences.