Category

ENG

Category
Orestis Mavroudis, REMEMBER, 2022, 1 reflective traffic sign class 1, 10 replicas, 100 copies on velvet paper 170 gsm, 30 x 60 cm each
Orestis Mavroudis, REMEMBER, 2022, 1 reflective traffic sign class 1, 10 replicas, 100 copies on velvet paper 170 gsm, 30 x 60 cm each

The group grew year by year and became the „Save Ios“ Association. There was a desire from all to help stop the widespread environmental destruction by different self-interested companies promoting a development completely incompatible with the island’s Aegean physiognomy. And for this purpose, it was decided to implement some actions by the association with the aim of strengthening the cultural profile of the island of Ios, and strengthening the presence of contemporary art, in connection with the cultivation of the environmental and social sensitivity of its residents and visitors. The idea of an artist hosting program was born as a possible action of the union. With the support of the Municipality of Ios and the funding of the Ministry of Culture, Ios Art Residency #1 became a reality with the subtitle „Micro-stories of a Changing Landscape“, and in the first phase invited three visual artists, for two weeks in April 2022, to get to know Ios up close. During this time Dimitra Kondylatou, Orestis Mavroudis and Foteini Palpana met and exchanged views with the inhabitants of the island and through field research they produced new works. The exhibition Micro-stories of a Mutable Landscape places the concept of nature at the epicentre, aiming to explore its interaction with everyday culture.

That is, to map elements of the fragility of the Cycladic landscape in the light of the different levels of history (or stories) of the island, whether these relate to the field of human relations – memories, events and emotions or the direct identification of the relationship of the inhabitant with the landscape. It seeks ultimately to raise awareness towards the protection of the environment from the effects of indiscriminate human intervention in it.

Dimitra Kondylatou’s HD video entitled Metaphor, Transporter, tracks exchanges of objects between the inhabitants of Ios island with landscapes in the background, many of which have been touristified. She tried to contact and discuss with as many people as possible as a visitor / outsider who initiates this process to have some sort of access to the local social networks, and as a transporter who carries the objects from one person to another.

Their documentation is presented as a triptych (an artwork made of three pieces), in which the scale shifts as the camera focuses on gestures, interactions, objects, landscapes, interior and exterior spaces, and on human activity -at times visible despite the human absence.

Orestis Mavroudis faithful to the logic of the least possible intervention and the utilization of the already existing infrastructure of the island, with his work entitled ΘΥΜΗΣΟΥ – REMEMBER, transforms a paradoxical information sign from the island’s road network into a vehicle for strengthening personal and collective memory, in a place that is constantly changes.

Through the displacement and reproduction of an existing element of the island’s semiotics, he aims to highlight the narrative richness and poetic dynamics inherent in the public space of Ios.

Foteini Palpana’s work entitled Islands grow – Islands fluctuate, consists of a series of drawings sewn on fabric and an arrangement of artificial rocks and boulders.

These are landscapes in constant transformation, they draw their attributes from isometric grids, abstract shapes and details of the island of Ios and the effect of human intervention on it. of the constant movement and the shaping of places.

The Installation Islands grow deals with the condition of the constant movement and the shaping of places, human activity, displacement and deformation, creating a relationship with time, and the alterations that the ground undergoes. Within the work there are thoughts in relation to the definition of territories where the possibility of access, viewing the beauty of the environment and contact with this common good, is interrupted and delimited by the human factor.

Venue: KDAP Building (Center For Creative activity), Chora Ios, Cyclades
Group Exhibition: MICRO-STORIES Of A Mutable Landscape
Exhibition Duration: 13.08.2022 – 13.09.2022

UNPROTECTED is modeled after the Supreme Court and is organized in response to the US Supreme Court decision to overturn Roe v. Wade, leaving millions of Americans stripped of bodily autonomy.

I. “(…) I must admit that I was different with every person, so nobody knew what I was really like,” Gombrowicz jots down in his journal about the years he had spent in Argentina.

Things to love about playing hide and seek: mainly hiding aspects; patiently occupying that dark, damp lair; the fear of getting caught; the thrill of being searched for, as if somebody cares; the sweat produced …

Fanzineist Vienna Art Book & Zine Fair welcomes artists, publishers, and other creative people on August 11th to share their stories, knowledge, and love of zines and art books, for two weeks.

NATA Vienna is pleased to invite you to the Performative Exhibition Krisenzeiten. 5 international artists thematize the last two years, from pandemic and isolation to the further heights of war and inflation.

Her paintings are an immediate and direct channel through which the artist shapes her emotional landscape at a given moment, occasionally blending in specific memories of her past experiences.

I thought trees stood up straight… I only found out just now. They actually stand with both arms in the earth, all of them. (…) Do you know how I found out? Well, I was in a dream, and I was standing on my head… leaves were growing from my body, and roots were sprouting from my hands.

On Friday, August 12, the exhibition opens at “Pfeufer 38” with objects by the Chinese artist Ma Jun and three Munich artists, namely Hubertus Hamm, Felix Rehfeld and Martin Spengler.

Umbral is a world of unspoken relations, a labyrinth of hybrid objects, a transit zone where one must navigate feelings of déjà vu and fears of looming future events. It can be translated as a threshold or doorstep.

In an Ancient Greek comedy by Aristophanes, clouds are something more than mere decoration or staffage, more than the matter out of which impressive landscapes are moulded, as of clay.

Wrocław Contemporary Museum presents installations, video works and a series of graphics . The duo’s creative work stems from their fascination with the relations between sound and space.

Sara Rahmanian is a multidisciplinary artist fascinated by everyday objects and the absurdity of contemporary life. She uses painting to explore the imaginative gaps between reality and perception.

It is within this play’s tradition, reproducibility, and Lenora de Barros spirit that develops her work. The physiognomy of her work is a set of particular games. The artist plays and, without winning or losing.

Each of the wall pieces in Julia’s exhibition “Five Finger Discount” center around an oil painting of a rather old-school shop: multiple butchers (kosher and not-kosher, of course), a flower store, a tailor.

This exhibition encompasses the intuitive, raw and experimental spirit of the artist. The mix of vivid colors, subject matter and applied techniques of this specific curation are a reflection of the artist’s practice.