In a residential area on the outskirts of Geneva, in a white 2012 Subaru Legacy, Alfredo Aceto and Thomas Liu Le Lann chew white chocolate cubes. In Chew (2022), a video loop just under nine minutes long.

KRAS is pleased to present Elsa Martini’s solo exhibition with the gallery „The Happiness of Others“. he Exhibition and the constant expanding series is divided into three parts.

In an Ancient Greek comedy by Aristophanes, clouds are something more than mere decoration or staffage, more than the matter out of which impressive landscapes are moulded, as of clay.

Wrocław Contemporary Museum presents installations, video works and a series of graphics . The duo’s creative work stems from their fascination with the relations between sound and space.

Sara Rahmanian is a multidisciplinary artist fascinated by everyday objects and the absurdity of contemporary life. She uses painting to explore the imaginative gaps between reality and perception.

Krzysztof Strzelecki is Polish artist. He was awarded a BA (Hons) from the University of the Arts London (UAL), Camberwell in 2019 and currently alternates between his two studios.

It is within this play’s tradition, reproducibility, and Lenora de Barros spirit that develops her work. The physiognomy of her work is a set of particular games. The artist plays and, without winning or losing.

Tirana Art Lab – Culture Center and Beyond Matter EU present an exhibition with works by duo HUNITI GOLDOX, Olson Lamaj, Valentina Peri, created during a two-month residency.

Danilo and I met for the first time in 2016 in New York. I had been aware of his work for some time, because he had been working with galleries that I was following, had exhibited in places I knew well.

Each of the wall pieces in Julia’s exhibition “Five Finger Discount” center around an oil painting of a rather old-school shop: multiple butchers (kosher and not-kosher, of course), a flower store, a tailor.

This exhibition encompasses the intuitive, raw and experimental spirit of the artist. The mix of vivid colors, subject matter and applied techniques of this specific curation are a reflection of the artist’s practice.

Galleria Umberto Di Marino presents Sergio Vega’s recent project titled A cloud-forest of paper and ink. The solo show is focused on his photographic works in black and white taken in the Amazonian region.

When I got the opportunity to conduct this interview, I realized that i wanted to talk to the artist not only about the Biennale, but also about earlier, smallscale works such as Father (2009), Dancefloor (2009), or those Polaroid outcomes that show only the belly part of each of the women who have caused, generated (as Tosatti says) something meaningful on him (Senza Titolo (matrice), 2010-2011). The interview was conducted in June 2022.

MONO NO AWARE – the a first-person game in which the viewer can walk endlessly through a generative environment. It is filled with objects that are made through various means.

Freda Fiala and River Lin are the curatorial duo of “The Non-fungible Body?” performance festival that just celebrated its inaugural edition in Linz. Congratulations on the first edition!

Almost all the female bodies and faces she depicts are covered with gauzes and bandages. How developed this ground, and which peculiar histories did the artist discover about women in Molise, her hometown?

From September 8-11, 2022, Vienna’s international contemporary art fair will take place for the first time on the extraordinary premises of the neo-renaissance palace Kursalon Vienna, in the heart of the city.

Back in Odesa, Tanya tells me, her life-like sculptures of cats populated the city’s structures; they lounged and napped in the sun, stretched, hunted, and ate fish (or dreamt of eating it).

CLOSING SOON presents I Was Lost In Untamed Forms Of Hidden Experiences, In Vast Places That Are Eliminated, a solo exhibition of Eva Anerrapsi. The installation consists of an archive of thoughts.

ich & ik is the second part of the two part exhibition series where Roman Pfeffer and Peter De Meyer find each other in an intriguing, multi-layered dialogue about the ‚I‘ in its different appearances.

The Exhibition „Blind Spots“ displays visual Stories of the artists. A sense of reality would not be possible without our mind filling in visual gaps by making use of past experiences.

Like animals in a cage, we become witnesses of change in our adjacent realities. Boarders are dissolving, time zones disappearing. Our self-projected images are available 24/7 while our egos deform.

There was a time in history when uttering such words in a church would have been more than enough to convict a young woman of witchcraft. Indeed, many “witches” were convicted for much less.

I could stay up all night and make mistakes, and none of them would count. When one subject questions another there is a chance to gain insight into that other. Suggestive or not?

The recent history of civilization is the story of supersaturation. A ubiquitous virtual mirror has shown that the world is made up of a mass of circulating, disjointed contradictory realms.

It is a play of transformation, a catwalk of vogueism, exhibitionism & voyeurism. Declared as ‚Virtual Pleasure Drama Art Game‘, the game contains intimate narratives and poems.

Part 1: The emptiness that becomes ritual is real. After post-modernity comes, is now – real postmodernism! The replacement of rational decisions by aesthetic ones – without a link.

We’re sitting with Oksana in her big studio. She has just been back from Spain; sun-kissed and full of energy, she is working on her new canvases – cheerful azure blue is surely inspired with the sea.

The works are all handmade by me, it’s hundreds of hours of hand drilling, killer noise, dirt and water. A contemplative nightmare. You probably don’t get that feeling when looking at them when installed.