Category

ENG

Category
 Günther Oberhollenzer, Leitung das Wiener Künstlerhaus
Günther Oberhollenzer, Leitung das Wiener Künstlerhaus. Foto: Tim Cavadini

The curator and art manager is known for his ample curatorial work and for the many stations he has made in his career from Essl Museum to Landesgalerie Niederösterreich Krems to countless curated shows in museums and galleries in Austria as well as many in South Tyrol, Italy, where he originally comes. The new program announcement comes almost seven months late after the handover and takes off in the new position. 

As he explains, there was no point in rushing. Before making decisions, the primar goal of Oberhollenzer was to familiarize himself with the particularities of the new house and its status quo, getting to know the members and the audiences. To run an institution, you need to exchange knowledge intensively and have the ability to involve those around you in the processes. For all this was taken time. 

Künstlerhaus, Gesellschaft bildender Künstlerinnen und Künstler Österreichs
Künstlerhaus, Gesellschaft bildender Künstlerinnen und Künstler Österreichs

Further Considerations
Oberhollenzer wants to give a clear signature to the institution, push further boundaries, and thus set new accents. Another important goal, in his view, is to provide the institution with a new visibility in the sense of a presence in the city.

Therefore different measures are being taken. Also, in terms of curating the exhibitions and all that it will come will be not made for the curator’s colleagues, but for the audiences. And that, he emphasizes, will also be a criterion for the guest curators. Oberhollenzer’s first curated exhibition at this house will be this October. Systemrelevant, a big group show will be featuring artistic positions like Daniella Pamp, Soli Kiani, Xenia Lesniewski. Based on the concept of „systemically related culture“, which has been discussed in a variety of ways in the recent years, Oberhollenzer would like to encourage artists and visitors to think about the value of art for the society. Małgorzata Mirga-Tas, documenta and Biennale artist has been chosen from Oberhollenzer also as a crucial position in this show. Opportunities abroad are also constantly seized. 

Some of the existing formats remain. They are simply refreshed. A new feature is that Oberhollenzer brings collectors back into the Künstlerhaus and involves them in exhibition projects. Collectors already shown their art collection in the early days. In 2023 two outstanding artists will be presented, Maria Legat and Herbert Brandl. All works are from private collections. The cooperation with the Stadtkino im Künstlerhaus will be continued and also micro-exhibition formats with different artists and cooperation partners.

Künstlerhaus, Gesellschaft bildender Künstlerinnen und Künstler Österreichs
Danielle Pamp, Diva in Quarantine, 2020. From 4.10. in the exhibition SYSTEMRELEVANT at the Künstlerhaus

Upcoming Exhibition
The annual exhibition of Association members, a quite new tradition at Künstlerhaus Wien, will this year be curated by Maria Christine Holter and Julia Hartmann – both independent curators, the title of the show is“Human Nature“. One can see that there’s a new era also in dealing with the member exhibitions. Oberhollenzer: Very often, this large members‘ exhibition was conceived as something very „internal“. We want to change that. The artistic positions selected by the curators range from Romano Hagyo and Silke Maier-Gamauf to Denise Schellmann and Alberto Storari. 

Künstlerhaus 2024
Plans have been forged, and decisions have been made also for the upcoming year. The first exhibition of 2024 year will be curated by Nina Schedlmayer. Current working title Auf den Schultern von Riesinnen (On the shoulders of giantesses). Then follows a Wunderkammer show, which works with the old principles of the Wunderkammer, but is conceived with contemporaneous media in art such as sound, acoustics, and lots of emotions. Oberhollenzer wants to speak in an understandable language and create exhibitions that reach people in their everyday reality. They will be profound, but close to real life and unfearful of emotionalism. It remains to follow the program and feel the new wind. 


 
 

The review recounts a visit to a monographic exhibition in PAC Milano. The critic gets obsessed with eight expanded monitors, which show a cycle of works of Ancarani entitled Memories for Moderns.

On Friday we are making the last preparations to go out the night. Today is the first day of the Hyperreality Festival for Club Culture in Vienna. First, we want to enjoy the last Friday ever in Tonstube.

O. Adesanya is a self-taught artist and designer originally from Nigeria, who is currently based in Vienna. He takes a multidisciplinary approach to exploring concepts such as identity and principles.

9 female artists and 22 male artists. If Trouble Was Money is another exhibition by the 1976-born curator that explores the question of the now. To what extent have the last few years influenced or changed us?

I want to write a review of Imaginaciones radicales—an exhibition about Mexican LGBTQ+ art at the Museo de Arte Moderno in Mexico City—because I have a crush on one of the artists.

Penny Rafferty’s work stands for a social, collaborative, and open-ended, unpredictable approach to technology and advocates for putting culture before structures. The writer kicks off Vienna Creative Days.

The new exhibition „Pleasure to burn“ by Belgian artist Simon Demeuter, presents a new series of paintings, specifically created for this exhibition. In them, we can see the recurring motif of the cowboy.

Nina Carini was born in Palermo in 1984 and her education took place between the Academy of Fine Arts of Verona and Milan and the École nationale supérieure des beaux-arts of Lyon.

‘Louise Konrad’ was founded by way of creative self exploration. Konrad’s drive to create bold, classic designs was second nature and has continued to evolve into a brand that promotes individuality.

Zhang Wuyun was born in Shenyang in 1981 and studied at the Affiliated High School of China Academy of Art and Luxun Academy of Fine Arts. Currently, he creates and lives in Hangzhou.

Caro Jost and Tom Rebl show the world that art and fashion have always been intertwined. A fashion show with models, who themselves come from the creative scene half-ad-libbed poses.

Yi Lian specialized in media art works including video, installation, photography, and so on. He is good at setting up a theater in the darkness by scheduling lightning to reduce the depth of the space.

It all starts at Operngasse 4, from where a Shuttle bus takes us to Neuhaus in Carinthia – the location of the private art museum Museum Liaunig. A unique leading exhibition awaits us there.

Aimi Kaiya, is a talented self-taught artist residing in the vibrant city of Bangkok, Thailand. Though she originally pursued a degree in Clinical Psychology, Aimi’s true calling was found in the realm of art.

Young Prophecies and Machines are two series that developed from a mound of suddenly and unexpectedly found children’s drawings by the artist Jeremias Altmann. They came to light only in 2009.

By redefining perception, and exposing the relationships and boundaries between subjects, substances, systems, and worlds, we perform this ongoing immersive act. You might need to find a way to ‘enter’.

Fanzineist Vienna Art Book & Zine Fair is an annual international independent publishing event that focuses on presenting self-published publications and independent works in the fields of art, design, literature, culture, and more.

Within numerous dialogues with Contemporary Matters (collective based in Vienna and active in Seestad), Aurianne Chevandier discusses the prefabricated and instructive aspects of a predefined city.

The Socia Collective consists of two brothers, Ihor and Artur. In our musical-performative videos, we initiate the process of materialization of the sound by giving it a graphic form.

Substratum of memories main subject of analysis is the interpretation of the relationship that 3 participants had with their spaces. More in specific, rooms which had a special meaning.

Another Saturday, midnight in my room. Radio on, „Kiss of Life“ and „Only Angel“ playing. A trace of my essence lingers, hearing the love song on FM. Beautiful words fill my head.

Juan David Cortés is based in Mallorca, after living for 15 years in Madrid. Besides commercial work and teaching, in his personal projects, he tries to combine autobiography with documentary.