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What is the most important tool for your work?
Since the pandemia I get back to the cavernous paintings. The paintings Hasta el cielo consists in a superposition of layers of oil glazes applied by my hand touching the surface of the canvas. My hands became my go to tool. I paint sunset and crepuscule with my bare hands, prehistoric sunsets close up in my mind. The series deals with erasure technique, this moment that sneezes in color. I have also a favourite tool I like to paint with. I use it for my Living Colors series.

Roux Leopoldine

I paint with nail varnish, which gives a pop, feminine and sexy way to explore old documents. The colors are shining and intense. Most of them are very colourful, from pink bubble gum to yellow citron; they are contrasting with black & white old ink printing.

What does your work aim to say?
I’m always looking for harmony, travelling around in space and time. I wanted to color the contradictions, create new situations and gives smile to people. The colors involve happiness, hope, glory, freedom, dreams and human matters.

Roux Leopoldine

What is art for you?
A reason to live What’s the philosophy you live by? Ichi-go ichi-e, a Japanese philosophy that guides my life. Get out of the routine, surround yourself with the right people, experience mindfulness, become a hunter of good times, and enjoy the little joys.

What are you working on now?
I work on two projects in parallel. Complementary. A series of artworks with nail polish on old engraving for a luxury Hotel in Rabbat, Morocco, commissioned by Joséphine Fossey and Florence Lipszyc for Atelier 27 in Paris. And an artistic integration for the surgical department of the CHIC Hospital in Créteil. An in situ production commissioned by Art dans la Cité also in Paris. I also prepare de large sculptural integration for the Bois de la Cambre in Brussels. The Rainbow seeds will be part of “Chemin de sculptures” curated by Louma Salamé for La Villa Empain / Fondation Boghossian in spring 2022.

Léopoldine Roux – www.leopoldineroux.com

Theresa Wey fotografiert Menschen und Begegnungen. Ihre Paradedisziplin ist das Porträt. Für sie sei es das Resultat des gemeinsamen Innehaltens, so die in Frankfurt am Main geborene Fotografin.

It was March 2021 when I first approached Italian artist Max Mondini. Normally in my preview interviews, I’ve been fond of asking and delving into different works by an artist.

Ein pulsierender Synth-Bass zieht sich durch den im Homestudio produzierten Electro Pop Song. Wie im Video bewegt sich in dem Lied die Narration zwischen der Anziehung und Entfernung.

Gallery70 is pleased to present Fani Zguro’s „When Palettes (everything) Become Paintings“ solo exhibition, a presentation of the series by the same title (2021) and of the video (2007)*.

CLOSING SOON presents In vitro, a solo exhibition of Giulia Savorani. Giulia’s latest installation consists of 218 used glass storage jars*. As household test tubes, these jars contain ingredients.

„Endlich kann ich wieder zu meiner KUNST, SIE hat mir schon so gefehlt!“ Dies war eine Aussage einer Dame in einem Interview, das in einem Museum nach dem ersten Lockdown geführt wurde.

The project is produced through a framework of Artist-in-Residence programs at Fundació AAVC Hangar in Barcelona, Kunstnarhuset Messen in Ålvik, and Atelierhaus Salzamt in Linz.

In her works, Bunny Rogers plays with notions of identity and addresses sensitivity and vulnerability, nostalgia and outsider status. Inspired by figures from the internet, TV series and video games.

SLOW WAVE präsentiert offene künstlerische Begegnungen, die über unsere gegenwärtigen Produktionsweisen in Hinblick auf das Klima im weitesten Sinne und die post-pandemische Ära reflektieren.