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Liza Victorova Mlechkova
Liza Victorova Mlechkova

How did you become an illustrator?
I started studying graphic design and that’s when it first occurred to me „oh, I really like painting and creating stories.“ And so I started painting and painting and asking myself „is this my style? What more could I do with it?“ and other such things, which people often ask themselves. One day I concluded that what I do is actually illustration more than it is graphic design.

What inspires you?
I’m mostly inspired by us being here and thinking we have so much time, while our nonexistence is lurking in the corner behind a few short seconds. And the short while we have here is the most exciting thing because we decide what to do with it. To take this turn or walk forward or take a break; to contemplate a tree or climb it or sleep on a branch. And then recount this story and make a book about it.

So many things that are just waiting for us to observe, investigate, and describe. And the most exciting thing is they’ll never run out. Only time will.

How would you describe your style in 3 words?
Comically tragic and twist-entanglingly existential minus two/three or so words.

Liza Victorova Mlechkova

Let’s talk about confession:
Confessions are paintings and thoughts, which I’ve had. And someone else too. Or which someone will have but is not yet aware of it. They’re a way to delve into the consciousness of our species and examine what’s inside. We’re all quite similar, even though we think we’re not. We keep asking ourselves is this the right decision, am I on right track. Yet, we’re all headed in the same final direction afraid of what it’s going to be like. We have feelings and emotions and carry this humongous world inside us.

Liza Victorova Mlechkova

How long until you get bored of your new shoes?
I still often get bored. Even with my most favorite things – such as confessions. Sometimes I am painting for 3 hours and then start catching my brain telling me „come on, let’s do something more stimulating, let’s eat some sugar or take a walk, come ooooonnnn.“ Typical brain stuff that my brain does. If I resist its tempting ideas for long enough, eventually it stops being so loud. That’s what I try to do in such moments, to not let my brain decide instead of me. But it doesn’t always work out to distance myself from its temptations (they can be quite luring and tasty).

What piece of work are you most proud of?
Come to think about it, I can’t single out individual pieces. Rather, I am happy when I go back to past confessions and see how they’ve evolved over time, and how their visual style is constantly moving and how I have no idea what it will be like in a few years.

What’s on your mind right now? What else do you want to say to the reader?
I’m traveling by train right now and it’s hot. I’m thinking about how the rest of the people here most likely feel the same way. It usually happens so that we all feel similar things and we’re all searching for meaning in our existence. And because inherently there’s none, we invent meaning ourselves. And start coloring it. First a splash of pink, then right there a bit more grey, but not the ordinary grey, the one we especially picked. Then someone else decides to use that grey too. And no matter how lonely the coloring sometimes is, there they are, all the other billions of fellow tiny humans coloring just like us.

Liza Victorova Mlechkova – www.lizavictorova.com/, www.instagram.com/lizavictorova/

CHIMERA untersucht queere Ökologie und nicht-binäres Leben in der Natur. Was definiert den Menschen als Spezies? Inwiefern etablieren Wissenssysteme Grenzen zwischen Lebensformen.

In der Fotoinstallation befasst sich Lisa Großkopf mit der Sehnsucht nach ewiger Jugend. Die Fotoserie zeigt eine Reihe kosmetischer Gesichtsbehandlungen zur Pflege und Erhaltung jugendlicher Haut.

Carlos Vergara is an artist from Barranquilla, Colombia, currently studying at the University of Applied Arts Vienna. Within his work, he positions himself in the periphery of diverse scenarios.

Mit Rebound & Reflection eröffnet das Sicc.Zine am 5. Mai eine weitere Ausstellung. Es handelt sich um eine Ausstellung in zwei Akten, die in Abstand von zwei Wochen je 4 Tage lang zu sehen ist.

Simon Kubik ist ein 1998 geborener Künstler und Kommunikationsdesigner, er lebt und arbeitet in Wien. Nach dem Abschluss an der Graphischen machte er seinen Zivildienst in einer Künstlerwerkstätte mit Menschen mit Behinderung, er ist als Kommunikationsdesigner in Agenturen, wie selbstständig tätig und ab 2022 studiert er bei Jakob Lena Knebl, Transmediale Kunst an der Universität für Angewandte Kunst.

Der Ursprung Ihrer Kunst liegt in der Malerei und Tapisserie, wobei sie mit ihren Werken in die Welt des Abstrakten eintaucht. Ihre Arbeiten entstehen auf einer Schnittstelle zwischen Kunst und Technik.

Pati Baztán is a Spanish artist, based in the middle of the countryside near Barcelona. She paints as she lives, with wild abandon. She is more interested in being led by the desire, emotion, and primal instincts.

Elke Foltz is a French painter. Her work is a search for balance within a constant chaos. All the elements aim to be in harmony and in perpetual renewal in spite of the prevailing disorder.

It was William Burroughs who, in the early 1960s, in his eponymously named cut-up novel, described the human body as a ‘soft machine’, constantly besieged ‘by a vast, hungry host of parasites’.

Die Landjäger Kürzestfilm Festspiele, das Festival für 12 Sekunden kurze Filme, haben sich für ihre Verhältnisse eine bizarr lange Auszeit genommen – wegen Geldes, Cannes, Corona, you name it.

Olga graduated on the Academy of Fine Arts in Bratislava and has also studied at the Vienna Academy of Fine Arts. She has realized dozens of solo and group exhibitions in Austria and in other European countries.

Nach einem abgeschlossenen Studium der Betriebswirtschaft an der sowie einem Studium an der Kunstschule Wien mit dem Schwerpunkt Druckgrafik und Keramik lebt und arbeitet die Künstlerin in Wien.

Florian Donnerstag aus Oberösterreich hat bis 2015 in Innsbruck Architektur studiert. Interdisziplinär zu seinem abgeschlossenen Architekturstudium befasste er sich mit bildender Kunst und Kunstgeschichte.

Jan Böhmer (1990) ist ein österreichischer Künstler aus der Weststeiermark. Seine Arbeiten sind dynamisch, neu und nonkonformistisch. Als Atelier dienen Räumlichkeiten eines ehemaligen Bestattungsinstituts.

In ihrem Spiel mit der Wirklichkeit nähert sich MUTA NATUR der Polarität von Natur und Kultur, ohne eine Antwort zu erzwingen. Weder wird behauptet, dass eine unberührte Natur unmöglich zu beweisen.

Due to the fusion of digital life with the physical they have become part of our lived reality. The inability of consciousness to distinguish reality from a simulation of reality is addressed through artistic positions.

Statement: Toni Faber, Dompfarrer St. Stephan. Nicht nur im Stephansdom, sondern auch rund um das Wiener Wahrzeichen lässt sich neben religiösen/sakralen Bildern auch zeitgenössische Kunst finden.

Feels so warm that you can walk around with your transition jacket. We are invited by the artist Nives Widauer to her studio, and I arrive there with Cornelius, who backs me up in documenting this conversation.

Her work concentrates on technology and the emotional and social culture surrounding it. Nicole creates stills, animations, and interactive AR and VR experiences and has exhibited her work since 2017.

Kim Dorland pushes the boundaries of painted representation through an exploration of memory, material, nostalgia, identity and place. Drawing heavily from the Canadian landscape.

Sich die Hände zu reichen, zeugt vom Entstehen eines Miteinanders, das sich nicht im Satz »ich bin bei dir« auflöst, stattdessen ein Mehr suggeriert. Dieser Akt ruft ein solidarisches Wir hervor (raise).

In Impuzzibil, there are these bodies struggling and folding and stretching in stacked boxes. They didn’t disappear but they’re not fully there either. And there is no magician present to help out.