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Art Miami - the booth
Art Miami – the booth

He grew up around some of the most renowned street artists like Banksy, Invader, and Shepard Fairey and he is the son of “Exit Through the Gift Shop” star Mr. Brainwash.

What is your background? How did you get into art?
I am L.A born and bred. My dad, Mr. Brainwash, is himself a Street Artist/Pop Artist so I picked up on his knowledge and expertise at a very young age by working alongside him at his studio. Art has always been part of my life; I was in grade school when my dad started filming Street Artist’s in their own element. This is the earliest I can remember art being in my life and the catalyst that would eventually lead me to pursue a career in the arts.

Art Miami - the booth
Art Miami – the booth

What inspires you?
I’m generally inspired by anything that seems to be making an impact on our society/culture, with some issues taking priority over others. I’m also visually inspired by my city and the urban art and culture it has fostered. Sometimes a drive through my city can really get those creative juices flowing. Music and certain ideas/concepts inspire me as well as going to an art show. Inspiration can come at any moment and under different circumstances.

How do you create your work?
There isn’t a formula to my process, I experiment a lot in the studio, some days ill work on woodcuts and other days on canvas. Sometimes I’ll go outdoors and work on a mural and other days I’ll just sketch in my sketchbook. Keeping it flexible has always been my approach, so there is no telling how I’ll go about curating my next show.

What are your needs as an artist?
My needs as an artist include access to resources like art supplies and workspace, constructive feedback from friends and family, mental support from loved ones, and finding moments of inspiration via being outdoors or attending an art show. After those needs are met, coffee, spray paint, oil paint, and a blank canvas are all I need.

What is the role of art in society?
To enrich our lives and inspire us. Sometimes to teach us something and sometimes just to decorate a home or embellish a street and even more importantly, to give a voice to those that don’t have one. Art can simply be a creative vehicle for a vivid imagination or a way to influence and sway an opinion on certain ideas and topics.

Misfit
Misfit

Have you ever been to Vienna?
No, but one day I hope to visit. I hear it’s beautiful.

Your conclusion on 2022:
It’s been a productive year and it seems like we’re finally putting the pandemic behind us. There is still quite a lot of division and tension in our society spurred on by the pandemic and the political climate but I’m hoping 2023 will be a year of healing. Lots of reasons to look toward the future.

What are you working on now?
I’ve e been working on a couple of new paintings for Palm Beach art fair which will be hosted in March.

Hijack Art – www.instagram.com/hijackart/

Chelsie Kirkey (b. 1987) lives and works in Brooklyn, NY. In 2022, she had a solo show with Taymour Grahne Projects, a two-person show at F2T Gallery and participated in group shows at Thierry Goldberg Gallery.

Lena Brazin (b. 1985, Kosice, Slovakia) is a London-based artist whose figurative paintings explore the seen and the unseen with an attempt to materialise immateriality, to reflect the fullness of human existence.

Every year at the end of January, the Academy of Fine Arts Vienna invites visitors to the Open Days of the collections, classes and studios of all the institutes at all locations.

The installation is an imitation of my grandmother’s apartment. Its floorplan is outlined on the floor and is presented in 1:1 scale in an exhibition space. 12 projection screens are installed in exact same rooms.

It is accessory and signature piece, everyday object and above all: a political sign, created— one almost wants to bring to mind the avant-garde tradition— by happenstance. One word.

Isabella Simon arbeitet als Fotografin in Wien, hauptsächlich dokumentarisch für Magazine sowie projektbegleitend als Set Fotografin von Filmen. Portraits gehören zu ihrer Leidenschaft.

Her work studies the concept of perception and its alteration of it in painting and installation. From the light-shadow relationship, perception its alteration expand toward the investigation of art and the art system itself.

Nazım Ünal Yılmaz’s approach in peinture that evidently leads the spectator „always forward“, carries the traces of the self-justification of an artist who is dizzy with his personal palette of colours and space.

Saxon Quinn is a self-taught artist with a background in Visual Design. His mother – Dianne Coulter, also an artist, has had a large studio and gallery on the family property since he was born.

Diese Ausstellung ist eine Fortsetzung von ihren früherer Arbeit, in der sie die Geschlechterrollen der Konsumgesellschaft durch die Neuinterpretation von Bildern aus alten Haushaltskatalogen thematisiertet.

„SOVIET BAROQUE“ presents a 12-channel video installation based on film footage produced in her grandmother’s apartment in Kyiv. In the videos, she portrayed herself in different roles.

Brake lights have long been under-recognized agents of progress. Their lives are spent graciously retreating so that the rest of us may move forward. It’s as noble an act of self sacrifice.

merritt k is a writer and editor who has previously produced a book of poetry and an anthology of interactive fiction, as well as created and hosted several podcasts. She lives in New York.