“Universitätslehrgang
   
Category

Kunst

Category

Narrating the self is the first, in a series of events, that aims to revitalize a museum space, but also offers the opportunity for artists and curators to manifest themselves in a field with complex loads, both from a symbolic and historical standpoint. The space that shall host this new program is a former artisanal paper workshop.

(Auto)ficțiuni / MNȚRplusC

Starting from the idea that the Peasant Museum has been and will always be a living terrain, the proposal to transform this hall into a field of artistic experiment is an initiative that aims to coagulate a new community of artists, active on the art scene, and its followers. Some of the exhibitions open here, in MNȚRplusC hall, will bear references to the material and intangible heritage of the museum.

The opening exhibition brings together three artists with very different languages of expression, judging by the methods they use in order to reveal their personal universes. It is an intersection of individual bubbles on a neutral play-field. Olimpiu Bandalac (b. 1955), Raluca Ilaria Demetrescu (b. 1969) and Giuliano Nardin (b. 1978) are artists who work and live in Bucharest, so whose corpus of works were generated in the same cultural area.

What connects the three in the exhibition Narrating the self is a vein of sensitivity, which is manifested either through the pursuit of the (self) reflection and (self) fictional elements (Raluca Ilaria Demetrescu) or through the candor of a universe as personal as that of Giuliano Nardin’s, to the method of an almost medical standpoint (as of a laboratory research work) of the volatility of life in all its environments (anthropic or natural), when we look at Olimpiu Bandalac. First objectives of this program aim at mapping a network of artists and curators to collaborate on an institutional field, in a current programmatic framework. The title of the exhibition, Narrating the self, underlines one of the characteristics of this program, whose objective is to monitor various individual creative processes, alongside showcasing finite endeavors, that are, in part connected to the museum specific line of interest.

Raluca Ilaria Demetrescu sitting inside her installation area at MNȚRplusC
Raluca Ilaria Demetrescu sitting inside her installation area at MNȚRplusC

The opening exhibition, Narrating the self will draw the arts program’s direction that will develop here in the near future. The selection of artists and the production of exhibitions will be ensured and respectively, monitored by Ilina Schileru, as coordinator of Special Programs (contemporary art and social inclusion workshops, through art) at the of the Romanian Peasant Museum. The workshops aim for social inclusion and are children-oriented (for local, refugee and migrant children), and some of the workshops them will be held by the artists who exhibit within the program.

Special thanks to all those who have been involved in the project: Dr. Virgil Ștefan Nițulescu (MNȚR Director), the D3M Association (through Mircea Modreanu and Dumitru Gurjii), POLICOLOR and Licorna Winehouse.

Where? Inside the newly launched MNȚRplusC hall (building B, acces through Monetăriei street, 3, Bucharest, ROMANIA)
Artists: Raluca Ilaria Demetrescu, Giuliano Nardin, Olimpiu Bandalac
Exhibtion dates: April 6 – May 20

Indem er die abstrakte Tradition fortführt, trennt Juan Pablo Villacura das Werk von seinem Diskurs, wobei er mit einer absurden humoristischen und alltäglichen Logik das Bild von seinem Titel distanziert.

In 2014, he moved to Jeju Island, where he came to be fascinated by a theme called “nature”. Apart from his past urban life, his new surroundings allowed him to create an emotionally restructured landscape. Now the nature of Jeju Island is one of his significant sources of inspiration.

„Dive into the Zeitgeist“ is the first exhibition for art in search of answers; this is the theme of the new economART project by AMY D Arte Spazio, which reopens its doors after a latency of 3 months.

Mirsini Artakianou ist auf einem kleinen Fischerdorf der Insel Lesbos aufgewachsen. Mit 19 Jahren hat sie angefangen Bildende Kunst und Kunstwissenschaften an der Universität von Ioannina zu studieren.

Die Ausstellung widmet sich anhand von Malereien, Installation und Skulptur dieser Fragestellung. „Wir alle sind es mittlerweile gewohnt in Zeiten, in denen wir von systemrelevantem Verzicht sprechen.

The title of the exhibition – When Gesture Becomes Event – refers to Judith Butler’s same-titled essay. However syntactically, it also evokes another title – When Attitudes Become Form.

Die Ausstellung von Maxine Weiss und Ömer Kaplan, ist die Weiterführung ihrer Zusammenarbeit IN LIMBO, im Kösk München. Die KünstlerInnen greifen die Instabilität der Zeit auf.

Durch ihren Hintergrund in Architektur und Fotografie beschäftigt sich Elena Kristofor mit der Erforschung des Raumes, Realitätsverschiebungen und der Suche nach einem erweiterten Außen.

Die ausdrucksstarken Ölbilder und Kohlezeichnungen entstanden zum Großteil während des ersten Lockdown 2020. Sie thematisieren die Situation von Menschen verschiedener Berufs- und Altersgruppen.

Die Publikation Future Perfect ist eine eindrucksvolle Sammlung von Porträts pubertärer Models, fotografiert von Zosia Promínska. Sorgfältig in den intimen Räumen ihrer Kinderzimmer in Szene gesetzt.