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„Budophi" Polyurethanschaum, Styropor, Plastikfolie, 140x40x30cm, 2021
„Budophi“ Polyurethanschaum, Styropor, Plastikfolie, 140x40x30cm, 2021

Its appearance evokes a comforting feeling, like whipped cream or ice cream in pastel shades, like a vintage look of a bakery in a future version.

Her objects, to which she gives the name Props, represent beings or things of an unknown, perhaps more hopeful world. They reference masks, costumes, disguises and mystical objects respectively. Yet they remain uncanny, just like the material – a little too pretty and a little too delicious. Behind the masks, the double layer emerges, which thematises our world of beautiful appearances. The material is actually artificial and made of plastic, which does not save the earth but destroys it more and more.

This seeking for my home… was my affliction….Where is- my home? I ask and seek and have sought for it; I have not found it. – Friedrich Nietzsche

"Nurture me!" Polyurethanschaum, Styropor, 50x30x50cm (LxBxH), 2021
„Nurture me!“ Polyurethanschaum, Styropor, 50x30x50cm, 2021

Daniela Trinkl is an Austrian visual Artist based in Vienna. Trinkl has shown her work in several national as well as international exhibitions. Her last exhibitions include House of losing control at Vienna Art Week (2021) and BestOff Kunstuni Linz (2021) where she was selected to take part by Angela Stief, director of Albertina Modern.

Exhibition: Daniela Trinkl „Magical remedy“
Duration: 19.02. – 12.03.2022

Address and contact:
Gallery Gundula Gruber
Schweizertalstrasse 4/1, 1130 Vienna
www.gallerygundulagruber.net

Who are Ambra Castagnetti, Chiara Gambirasio, Diana De Luca, Ludovica Anversa and Nicola Ghirardelli and what each of them mean to Max Mondini? What lessons will the artist acquire inside.

Die Weiß-Tanne (Abies alba) ist eine europäische Nadelbaumart aus der Gattung Tannen. Sie ist tief in der österreichischen Tradition verwurzelt und außerdem ein beliebter Weihnachtsbaum.

In a restless obsession with combining elements, generating tensions, as well as seeking balances and rhythms, the artist creates visual challenges. A painting should always be able to surprise.

Das von Kuratorin Nora May und Künstlerin Stephanie Winter von 5. November bis 31. Jänner präsentierte Projekt RADICAL CARE versteht Mutterschaft als politische Strategie und imaginiert eine Welt.

Nazim Ünal Yilmaz is a painter whose work conjures up a highly dystopic world, where civic and patriotic acts and gestures take on malignant meanings: personal relationships are devalued by social conventions.

With my left hand, I am holding a picture of a dragonfly I took during a school trip to an insect museum.I don’t remember neither the location nor the exact year. For sure, that was during Primary School.

Nach erfolgreichem Start im letzen Jahr, wird PARALLEL VIENNA erneut zusätzlich zur Kunstmesse im September das Konzept der PARALLEL EDITIONS vom 12. bis 15. Mai 2022 veranstalten.

Christoph Doswald, Bettina Leidl und Marieke Wiegel sowie Fiona Liewehr kuratieren die Sondersektionen der SPARK Art Fair 2022 in der Wiener Marx Halle. Neue Schwerpunkte für neue Künstler*innen.

Azadeh Vaziri, geboren 1984 in Teheran, lebt und arbeitet in Wien. Bis 2013 besuchte sie die Azad Universität Teheran. Nach ihrem Abschluss widmet sie sich der Politik und kämpft für die Freiheit der Frauen.

Her creations include installation, sculpture, performance and video, among which sculpture is the core of her work. A revisitation of sculpture, an extension of its three dimensionality & attunement to body.

Thinking About the Future as a mental process known as prospection comprises future planning, future oriented emotional experience visually lived through imaginative scenarios of a possible future.

Kunsthalle Lissabon presents the first solo show in Portugal by the Italian artist Giulio Scalisi. A house for a gentleman is both a story of a house and story of a gentleman set in a not-so-distant dystopic future.

A relentless noise that prevents other sounds from invading our auditory perception; a noise made of the entire spectrum of sound frequencies, in a harmonic way, without any of them being distinguishable.

In her works, Darja Shatalova examines the structures of her environment and personal life on the macro level. She presents for the first time her entire archive of recordings in an accesible, space-based installation.

Galleria Umberto Di Marino is delighted to present the latest personal exhibition of Eugenio Tibaldi, with the title Balera. The new project traces a line of continuity with the exhibition Più in là che Abruzzi.

The year 2021 in short from LNR’s point of view: In addition to discoveries of artists, online publications, columns and contributions, this year has again involved corporeal productions.