“STAGE
   
Category

Kunst

Category
Petra von Kazinyan. Animalia

As Kafka wrote in a letter to his friend Janouch – exactly a century ago – „the narration about animals serves as an expression of our desire for a free natural life.“ 

While our personal freedom declines, we enter a new era of digitization. Our natural bodies are translated into bits and pixels, as our purest human shapes are censored by algorithms. Petra von Kazinyan shows that the boundaries which were once exceeded by the arts are being established again:

The female image becomes an object – concealed, covered and drawn back to a longtime erased pattern of restriction. The cage we seemed to have left is being rebuilt. Our pictures get cropped and retouched. Carved like idealized sculptures, adapted to the current zeitgeist – a set of social constructs that once built the base for Kafka’s humanimal writing. Working with subjects of old-masters, Petra von Kazinyan uses the element of the animal not only to create a version of an alter ego and additional layer but to add moments of disruption and confrontation. 

Petra von Kazinyan. Animalia

The renaissance-venus gets covered by brush strokes, showing a different ductus, simulating the algorithmic view on the female body in social media. Leaving gaps that are filled by the viewer’s own imagination. The already existing archetype is still present in our minds but taken away by technology and society. What is left is the question of our very own presence: Do we need to hide what defines us to get seen?

Petra von Kazinyan is a German-born artist who currently lives and works in Vienna and the Frankfurt/Main area. After her studies at Goethe University in Frankfurt/Main (Literary studies and Philosophy, Master of Arts) and gaining skills as an assistant stage director and dramaturg in one of Vienna’s most renowned theatres, her artworks have been shown in numerous exhibitions and art fairs in Austria and abroad. Recent exhibitions include a solo show in the course of the Venice Biennale 2019, Woman Art Award 2017 in Paris, Art Austria 2016 and Art Beijing 2012. Oscillating between figuration and abstraction, Petra focuses on the concept of identity in a globalized and post-digital world.

Exhibition: Petra von Kazinyan – Animalia curated by Natalia Gryniuk
On view from 5 July 2022

Location: Palazzo Pisani-Revedin, Calle San Paternian 4013/A, San Marco – Campo Manin, Venice, Italy

There was a time in history when uttering such words in a church would have been more than enough to convict a young woman of witchcraft. Indeed, many “witches” were convicted for much less.

Letzten Sommer sind wir in der Stadt festgesessen, und da fiel mir auf, wie es sich die Leute überall in den Londoner Parks bequem gemacht haben. Ihre Körper nahmen unterschiedlichste Positionen ein.

It is a play of transformation, a catwalk of vogueism, exhibitionism & voyeurism. Declared as ‚Virtual Pleasure Drama Art Game‘, the game contains intimate narratives and poems.

Mit einem geballten 3-Tages– und Abendprogramm setzt das Musik- und Kunstfestival an mehreren Locations in der Seestadt auf intime Erkundungen zwischen Musik, Performance und audiovisueller Kunst.

Im Zentrum der Schau HABITAT steht ein proportional verkleinerter und abstrahierter Schnitt ihres Arbeitsraumes aus Wien, welcher im periscope nachgebaut wird.

Das Experiment schlug ein: Schon die Eröffnung der medienfrische war ein voller Erfolg. Eine Prozession durch Bschlabs und ein Konzert der Band JESSE bildeten den feierlichen Auftakt des Festivals.

XX ART FLÂNERIE ist ein dezentrales und transdisziplinäres Kunst- und Kulturfestival in Wien, das Projekte fördert, die zeitgenössische Resonanz historischer und demografischer Zusammenhänge.

Florian Appelt und Richard Petz leiteten 3 Jahre KAH. Im Interview spricht Florian Appelt über seine Zeit bei KAH, seine aktuellen Arbeiten und worauf er in der Zukunft sich fokussieren will.

Part 1: The emptiness that becomes ritual is real. After post-modernity comes, is now – real postmodernism! The replacement of rational decisions by aesthetic ones – without a link.

We’re sitting with Oksana in her big studio. She has just been back from Spain; sun-kissed and full of energy, she is working on her new canvases – cheerful azure blue is surely inspired with the sea.

Für die fünfte Edition der wrong.biennale, der größten internationalen Biennale für digitale Kunst, freut sich das Künstler*innenkollektiv room69 einen analogen Pavillon in Wien präsentieren zu dürfen.

Linz hat ein neues Performance-Festival. Das neue Format widmet sich aktuellen Entwicklungen in der Performance Kunst und wird jährlich unter internationale Künstler*innen versammeln.

The works are all handmade by me, it’s hundreds of hours of hand drilling, killer noise, dirt and water. A contemplative nightmare. You probably don’t get that feeling when looking at them when installed.

Das Streben nach Objektivität, nach Klarheit und Logik erfährt eine für den Minimalismus untypische Facette: die Individualität. Und genau diese Individualität verleiht dem Werk die Besonderheit, seine Schönheit.

The works are all handmade by me, it’s hundreds of hours of hand drilling, killer noise, dirt and water. A contemplative nightmare. You probably don’t get that feeling when looking at them when installed.

Nepochatych Yelyzaweta Andrijivna (geboren in Donbass)schloss ihr Studium an einer Kunsthochschule in Russland und setzte dann ihre Tätigkeiten und die Ausbildung in der Ukraine fort.

Unter dem Titel »Dämonentheater« zeigt das Museum Angerlehner ab 03. April 2022 eine umfassende Einzelpräsentation des Malers, Zeichners, Bildhauers und Literaten Michael Vonbank.

He prefers not to drink, but if he does, then a good „Bier vom Fass“. The smell of bubble gum transfers him to a happy place, and the last movie he cried while watching was “Hachi: A Dog’s Tale”.

What a strange day. Perhaps because it is the first day of spring and the idea of going to the opening of an exhibition, moreover a friend, makes the ground light under my feet.

Die Wirtschaftsagentur Wien lädt am 1. und 2. Juni 2022 zum dritten Mal zu den Creative Days Vienna ein. In diesem Jahr findet das Event im Volkskundemuseum Wien statt.

Dongni Hou She now lives and resides in France. Her works reveal under the brushes all the poetic nuances of the human soul, even in the darkest corners, even if supported by bright colors.

On the occasion of Tom of Finland’s birthday, the Foundation and The Community have curated AllTogether, a group presenting Tom of Finland Foundation’s permanent collection to the public.