Category

Kunst

Category
Experimenting with the theme of ‚persona‘, taken with Canon.

**Where to start:
I grew up in a small town on the Aegean coast of Turkey, wholly absorbed in nature and lived a very simple life. I moved to a big city when I was fourteen for boarding school, started travelling, and moved to the capital of Turkey for studying purposes later. Leaving parts and bits of my life behind, I moved to London four years ago, where I found an everlasting inspiration. I explore the sense of belonging and the notion of ‚home‘.

I continuously seek something I do not know. In this sense, I have nowhere to belong; it is an ultimate freedom reflected in creative work.

**PhD journey and creative involvement:
PhD journey has wholly altered my life in many ways. I’ve encountered existential concepts: working on body, self and contemporary existence. My curiosity about human existence led me to research body movement – I joined Gaga dance classes in London, which effectively shaped how I communicated with my body. I found a way to express the feeling of limits in creative boundaries in academia in my portfolio-ish project, ‚Existential Manifesto,‘ where I free flow, improvise, connect, and collaborate.

**Starting point:
During the first year of PhD, I sank into a low-grade depression. As the research itself was very intense and theoretical (I was working on the inner voice, the delusion of self at that time!), I started to drown in an existential void: asking myself who I was, who I would be in multiple possibilities, the personas we created, the impossibility of finding the inner self, and the bodily experience of existence. I acknowledge now that this period of my life was the time of my creative evolution. A very profound aspect of the experience of ‚existential crisis‘ is accepting that it is a creative act that requires a way to celebrate.

If you are having a period of existential crisis, if you go deeper into investigating, you may produce something remarkable out of it.

Recovering from that year, I created a space to recollect improvised thoughts on ‚Existential Manifesto‘ (a ‚portfolio-ish‘ manifesto… improvised work). It is an investigation of existential notions, very experimental; there is no structure to follow: it is a space for ideas to flow and feed our intellectual curiosity. Existential Manifesto is an open creative space for artists, writers and researchers in various disciplines to publish their existential manifestos. I aim to post the #1 issue on social media: Improvisation and authenticity and how those concepts find a voice in Ingmar Bergman’s masterwork ‚Persona‘ – I hope to form a collection of essays to be published later in the stage. In future issues, I will keep improvising… and you all are invited to share the flow with me.

**What I aim:
I would like to make a ‚manifesto‘ that we all share across the fields, a collective response to our contemporary existence. We share a collective hope for a better future; all our attempts are manifested around this view, and I hope Existential Manifesto will be a shared voice for us to understand who we are.

Ecem Yucel & Existential Manifesto – Instagram

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Established in Berlin in 2009, Node Center for Curatorial Studies is renowned as an innovative institution at the forefront of curatorial education. Its visionary approach quickly propelled it to fame.

Lena Dobner graduated and did her master’s at the Academy of Arts in Dresden, Germany. Her paintings work with portraiture as a mechanism for dealing with emotions, fears, and happiness.

Jakob Kolb is an artist and musician living in Vienna. He employs a transmedial approach, incorporating elements such as flowers, painting, and metalwork, in addition to creating and performing music.

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Amidst the vibrant and eclectic ambiance of the Parallel Art Fair, I visit the room of a young artist from the Abstract Painting Class. Wolf and Cowboys are figures that persist around me.

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A decade after an overwhelming mental health crisis shook his family, illustrator he stumbles upon a series of sketchbook drawings that prompt him to contemplate a world of complex emotions.

“Time/space”, Helga Franza says. We’re debating the title of a sculpture she created at the banks of the Danube. Time comes first, according to the artist: “If you change time, reality collapses.”

Zoè Gruni is one of her generation’s most representative Italian-Brazilian artists; her work is coherent, principled, and consistent to the point of being radical. She has no filters in her exploration.